李振华 LI Zhenhua

Photo: Courtesy of Pingshan Art Museum

李振华,1996年开始从事艺术工作,涉及展览策划、艺术创作和项目管理领域,现担任瑞士保罗克利美术馆夏日学院推荐人(2010年至今),瑞士Prix Pictet摄影节推荐人(2010年至今),2014年担任英国巴比肯中心(Barbican Centre)国际展览《数字革命》(digital revolution)国际顾问,2015年澳大利亚SymbioticA机构国际顾问,2015年担任香港录影太奇国际顾问。

2000年以来组织电影放映,主要关注电影导演和纪录片之交流放映。2004年以来卷入中国独立影像年度展。2015年担任雎安奇电影《诗人出差了》制片人,2007年担任沈少民纪录片《我是中国人》制片人,2010年策划《热点:张元个展》,2013以来与雎安奇导演工作,担任制片人。

自2003年以来曾经担任过2003西班牙Shorti短片节,2006年那不勒斯电影节,2009年转译媒体艺术节,2012年中国当代艺术奖,2012年傀儡动画艺术节,2012年中国独立影像年度展,2015-2016年中国艺术奖的评委工作。

曾主持编撰的艺术家个人出版物有:《颜磊:我喜欢做的》(2012年第十三届卡塞尔文献展出版物)、《胡介鸣:一分钟的一百年》(2010年)、《冯梦波:西游记》(2010 年)、《杨福东:离信之雾》(2009 年)等。出版有个人艺术评论文集《文本》(2013)。

 

Li Zhenhua has been active in the artistic field since 1996, his practice mainly concerning curation, art creation and project management. Since 2010 he has been the nominator for the Summer Academy at the Zentrum Paul Klee Bern (Switzerland), as well as for The Prix Pictet (Switzerland). He is a member of the international advisory board for the exhibition “Digital Revolution” at the Barbican Centre in the UK in 2014, received as member of the international advisory board for Videotage and Symbiotica in 2015.

Since 2000 focus on curating and dialog with film makers and documentary film makers from China, since 2004 involved in CIFF. 2015 producer of Ju Anqi’s film Poet on a Business trip. 2010 curated Heat: Zhang Yuan solo show in Nanjing, China. 2007 producer of Shen Shaomin’s documentary film I am Chinese.

Since 2003 worked as jury in the film and arts field, such as Shorti (Span 2003), Napolis Film festival (Italy 2006), Transmediale 2010 (Berlin, Germany 2009), CCAA (Beijing, China 2012), CIFF (Nanjing, China 2012), Fantoche (Switzerland 2012), Art Award China (Beijing, China 2015-2016).

Li Zhenhua has edited several artists’ publications, including “Yan Lei: What I Like to Do” (Documenta13, 2012), “Hu Jieming: One Hundred Years in One Minute” (2010), “Feng Mengbo: Journey to the West” (2010), and “Yang Fudong: Dawn Mist, Separation Faith” (2009). A collection of his art reviews has been published under the title “Text” in 2013.